Na vizinhança do tigre: lá onde a vida é prisioneira

Abstract

The article investigates the combination and the indiscernibility between the fictional and documentary registers through which the characters of The hidden tiger pass (Affonso Uchoa, 2014), focusing especially on the way the scene is permeated significantly by the life forms of peripheral youths, while at the same time constructing, in a shared way with the actors, staged situations that reconfigure the experience from which they depart to create their roles.