Please use this identifier to cite or link to this item: http://hdl.handle.net/1843/ECAP-7LQEGY
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dc.contributor.advisor1Luiz Fernando Ferreira Sapt_BR
dc.contributor.referee1Maria Clara Versiani Galerypt_BR
dc.contributor.referee2Myriam Correa de Araujo Avilapt_BR
dc.creatorPaula Soares Fariapt_BR
dc.date.accessioned2019-08-09T20:29:08Z-
dc.date.available2019-08-09T20:29:08Z-
dc.date.issued2008-11-21pt_BR
dc.identifier.urihttp://hdl.handle.net/1843/ECAP-7LQEGY-
dc.description.abstractFantasy has featured in our culture since the beginning of times. From ancient mythology to futuristic Sci-Fi, stories have been filled with fantastic characters and settings. Disguised under the cover of the fantastic there is a heavy load of symbolism being conveyed through structures called archetypes. The idea of archetype as a symbolic structure which is repeated countlessly over time and space was identified and studied by the psychoanalyst Carl Gustav Jung and these archetypes can be recognized in many forms of art or even in dreams. Fantasy usually has archetypes as its basic structure. The symbols expressed as archetypes are supposedly understandable through cultures, and yet, each culture may express the same archetype in different ways. An important archetype that too often features in fantastical stories is that of the hero. Joseph Campbell has explored it, based on Jung's archetype theory, and called the pattern that composes heroes worldwide the Monomyth or the hero journey. This journey can be clearly seen in stories from ancient folk-tale and mythology to contemporary works, which is the case of the Harry Potter series. A literary phenomenon of the 21st century, the Harry Potter series tells the story of a boy wizard and his journey into herohood. In every hero journey, its pinnacle is reached in the confrontation with an arch(e)-villain. Every step in the journey bears a symbolic significance and the villain as part of that journey follows the rule. The villain is mostly the force to which the hero has to oppose, he is also a representation of the unknown; therefore this character is usually presented without a past or reason to be. However, the villain in the Harry Potter series, Lord Voldemort, lives his own journey; one which is incredibly similar to the archetypal journey lived by the hero, Harry. This thesis studies the archetype of villains in fantasy literature and the journey of the hero as it can be related to the villain in the Harry Potter series. This study is based on the archetypal the ory of C. G. Jung and on the pattern traced for the hero by Campbell. The journeys of both villain and hero are compared for the proposition of a contemporary understanding of the villain archetype.pt_BR
dc.description.resumoXXXpt_BR
dc.languageInglêspt_BR
dc.publisherUniversidade Federal de Minas Geraispt_BR
dc.publisher.initialsUFMGpt_BR
dc.rightsAcesso Abertopt_BR
dc.subjectHarry Potterpt_BR
dc.subjectArchetypept_BR
dc.subjectVillainspt_BR
dc.subject.otherHeróis na literaturapt_BR
dc.subject.otherLiteratura infanto-juvenilpt_BR
dc.subject.otherPotter, Harry (Personagem fictício)pt_BR
dc.subject.otherFantasia na literaturapt_BR
dc.subject.otherRowling, J K, 1965- Crítica e interpretaçãopt_BR
dc.subject.otherLiteratura fantásticapt_BR
dc.subject.otherArquétipo (Psicologia)pt_BR
dc.subject.otherRowling, J K, 1965- Personagenspt_BR
dc.subject.otherLiteraturapt_BR
dc.titleThe journey of the villain in the Harry Potter series : an archetypal study of fantasy villainspt_BR
dc.typeDissertação de Mestradopt_BR
Appears in Collections:Dissertações de Mestrado

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