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Please use this identifier to cite or link to this item: http://hdl.handle.net/1843/42865
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dc.creatorGiorgia Cecchinatopt_BR
dc.date.accessioned2022-07-01T22:14:41Z-
dc.date.available2022-07-01T22:14:41Z-
dc.date.issued2017-
dc.citation.volume15pt_BR
dc.citation.issue2017pt_BR
dc.identifier.doihttps://doi.org/10.4000/ref.756pt_BR
dc.identifier.issn2258-014Xpt_BR
dc.identifier.urihttp://hdl.handle.net/1843/42865-
dc.description.resumoThe aim of this paper is to describe how F. Schlegel develops F. Schiller’s conception of the modern art and to show how he, by reflecting on modernity, leaves out the ideal of beauty from aesthetics and develops a wider range of possibilities for what could be recognized as a work of art. Schlegel goes beyond Schiller’s project of an aesthetic education, because his way of thinking about art opens more possibility for dialogue and inclusion than Schiller’s model based on beauty. This will allow us to see that Schlegel’s romanticism as an aesthetic theory can be very useful and fruitful to us in contemporary era.pt_BR
dc.format.mimetypepdfpt_BR
dc.languageengpt_BR
dc.publisherUniversidade Federal de Minas Geraispt_BR
dc.publisher.countryBrasilpt_BR
dc.publisher.departmentFAF - DEPARTAMENTO DE FILOSOFIApt_BR
dc.publisher.initialsUFMGpt_BR
dc.relation.ispartofRevista de Estud(i)os sobre Fichtept_BR
dc.rightsAcesso Abertopt_BR
dc.subject.otherArte modernapt_BR
dc.subject.otherSchlegel, Friedrich von, 1772-1829pt_BR
dc.subject.otherArte - Filosofiapt_BR
dc.subject.otherPoesiapt_BR
dc.titleUgly and Interested Art. Modernity, Freedom and democratization of taste in F. Schlegelpt_BR
dc.typeArtigo de Periódicopt_BR
dc.url.externahttps://journals.openedition.org/ref/756pt_BR
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