1. Repositório Institucional da UFMG
  2. Publicações Científicas e Culturais
  3. Artigo de Periódico
Please use this identifier to cite or link to this item: http://hdl.handle.net/1843/43839
Full metadata record
DC FieldValueLanguage
dc.creatorGuilherme Massara Rochapt_BR
dc.date.accessioned2022-08-01T14:52:31Z-
dc.date.available2022-08-01T14:52:31Z-
dc.date.issued2017-
dc.citation.volume21pt_BR
dc.citation.issue3pt_BR
dc.citation.spage249pt_BR
dc.citation.epage256pt_BR
dc.identifier.doihttps://doi.org/10.1080/17409292.2017.1396753pt_BR
dc.identifier.issn1740-9292pt_BR
dc.identifier.urihttp://hdl.handle.net/1843/43839-
dc.description.resumoThis article discusses some aspects of the relation between literature and music, with Pascal Quignard’s book La Haine de la musique as the object of examination. Quignard is known as someone who not just writes about music, but also attempts to incorporate musical elements into his distinctive style of writing. I examine different approaches of the dialectical movement between enunciation and the enunciated. My argument aims at documenting the influence of what the author names “l’esp ece du son” on some aspects of the book: the status of some musical elements hidden in the origin of literary forms, subjective manifestations related to dialectic tension between sense and non sense in the literary field and the incidence of musical forms upon it, and aesthetical and synesthetic manifestations of musical pleasure/displeasure (la jouissance musicale) and its incidence on literary forms. A short interlude is included, too, in which Quignard’s Medea is also analyzed, as well as some critical contributions on the subject, from French structuralism and post structuralism, namely Barthes’ and Lacan’s works.pt_BR
dc.languageporpt_BR
dc.publisherUniversidade Federal de Minas Geraispt_BR
dc.publisher.countryBrasilpt_BR
dc.publisher.departmentFAF - DEPARTAMENTO DE PSICOLOGIApt_BR
dc.publisher.initialsUFMGpt_BR
dc.relation.ispartofContemporary French and Francophone Studiespt_BR
dc.rightsAcesso Abertopt_BR
dc.subjectPascal Guignardpt_BR
dc.subjectEnunciationpt_BR
dc.subjectEnunciatedpt_BR
dc.subjectLanguagept_BR
dc.subjectMusicalpt_BR
dc.subjectUnconsciouspt_BR
dc.subject.otherQuignard, Pascal, 1948-pt_BR
dc.subject.otherMúsica e literaturapt_BR
dc.titlePortes musicales et seuil du langage chez Pascal Quignardpt_BR
dc.typeArtigo de Periódicopt_BR
dc.url.externahttps://www.tandfonline.com/doi/full/10.1080/17409292.2017.1396753pt_BR
Appears in Collections:Artigo de Periódico

Files in This Item:
There are no files associated with this item.
Show simple item record


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.