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Please use this identifier to cite or link to this item: http://hdl.handle.net/1843/44092
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dc.creatorFausto Borémpt_BR
dc.creatorGuilherme Menezes Lagept_BR
dc.date.accessioned2022-08-09T16:31:53Z-
dc.date.available2022-08-09T16:31:53Z-
dc.date.issued2019-05-
dc.citation.volume10pt_BR
dc.identifier.issn1552-9657pt_BR
dc.identifier.urihttp://hdl.handle.net/1843/44092-
dc.description.resumoThe research question of this paper was partially motivated by the need for better control of the double bass performance and partly motivated by the friction of opinions in the international double bass community about using or not using marks on the double bass fingerboard. Obtaining an accurate intonation is a universal problem in the performance of non-tempered stringed instruments (with no frets) such as the members of the violin family. Musicians commonly land their fingers too short (undershoot) or too long (overshoot) for aimed locations (target notes), resulting in poor intonation. This study aims at understanding how the sensorial guidance of vision and tact could interfere in the erroneous movement patterns of undershoot and overshoot. As an interdisciplinary study (music performance and motor behavior), it analyzed the performance of professional musicians in two movement conditions: with and without sensorial guidance. The results showed that sensorial cues conditions compared against no-guidance conditions create: (1) an overshoot pattern instead of an undershoot pattern and (2) a more accurate intonation on the double bass, which were discussed based on the role of visual and tactile information on motor control of the left limb. Summarizing this research, the results show that visual and tactile strategies can improve the performance of double bassists.pt_BR
dc.languageengpt_BR
dc.publisherUniversidade Federal de Minas Geraispt_BR
dc.publisher.countryBrasilpt_BR
dc.publisher.departmentEEF - DEPARTAMENTO DE EDUCAÇÃO FÍSICApt_BR
dc.publisher.departmentMUS - DEPARTAMENTO DE INSTRUMENTO E CANTOpt_BR
dc.publisher.initialsUFMGpt_BR
dc.relation.ispartofOnline Journal of Bass Researchpt_BR
dc.rightsAcesso Restritopt_BR
dc.subjectAccuracy in double bass performancept_BR
dc.subjectUndershoot and overshoot double bass patternspt_BR
dc.subjectControl of non-tempered intonationpt_BR
dc.subjectLeft hand movements in music performancept_BR
dc.subject.otherContrabaixo - Performancespt_BR
dc.subject.otherContrabaixo - Estudos e exercíciospt_BR
dc.subject.otherTonalidade (Música)pt_BR
dc.subject.otherMãospt_BR
dc.subject.otherVisãopt_BR
dc.subject.otherTatopt_BR
dc.titleIntonation in the performance of the double bass: the role of vision and tact in undershoot and overshoot patternspt_BR
dc.typeArtigo de Periódicopt_BR
dc.url.externahttps://www.ojbr.com/volume-10-number-1.asppt_BR
dc.identifier.orcidhttps://orcid.org/0000-0002-4769-106Xpt_BR
dc.identifier.orcidhttps://orcid.org/0000-0001-8296-3676pt_BR
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