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Please use this identifier to cite or link to this item: http://hdl.handle.net/1843/54570
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dc.creatorPatrícia Gomes de Azevedopt_BR
dc.date.accessioned2023-06-06T12:22:16Z-
dc.date.available2023-06-06T12:22:16Z-
dc.date.issued2020-
dc.citation.volume13pt_BR
dc.citation.issue3-4pt_BR
dc.citation.spage431pt_BR
dc.citation.epage432pt_BR
dc.identifier.doihttps://doi.org/10.1080/17514517.2020.1762346pt_BR
dc.identifier.issn1751-4525pt_BR
dc.identifier.urihttp://hdl.handle.net/1843/54570-
dc.description.resumoA photograph signed by Igino Bonfioli inside a forgotten envelope. This could be a photograph like any other, but it is not, because that the girl in lace and a dress, balancing a porcelain doll, is actually my mother’s male cousin whose own mother dressed him as a girl for this photograph. The exposure of the mother’s desire is more usually excluded from society’s representation of the mother figure. By deleting the image from the family album (as my grandmother had done), it tells us that the intent of this gesture (the staging of the image), was disturbing and undigestible for the society of the time.pt_BR
dc.format.mimetypepdfpt_BR
dc.languageengpt_BR
dc.publisherUniversidade Federal de Minas Geraispt_BR
dc.publisher.countryBrasilpt_BR
dc.publisher.departmentEBA - DEPARTAMENTO DE FOTOGRAFIApt_BR
dc.publisher.initialsUFMGpt_BR
dc.relation.ispartofPhotography and Culture-
dc.rightsAcesso Restritopt_BR
dc.subjectFotografiapt_BR
dc.subjectArquivopt_BR
dc.subjectPublicaçãopt_BR
dc.subject.otherFotografia de criançaspt_BR
dc.subject.otherMemória na artept_BR
dc.subject.otherArte e sociedadept_BR
dc.titleA naughty girlpt_BR
dc.typeArtigo de Periódicopt_BR
dc.url.externahttps://www.tandfonline.com/doi/full/10.1080/17514517.2020.1762346-
dc.identifier.orcidhttps://orcid.org/0000-0001-6493-0694pt_BR
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