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http://hdl.handle.net/1843/57520| Type: | Artigo de Periódico |
| Title: | Poemics: poems and comics |
| Authors: | Amir Brito Cadôr |
| Abstract: | In the mid-1960s, comic art went through a reassessment and had a scrupulous semiotic investigation, getting attention from theorists such as Umberto Eco and others. Brazilian Poema/Processo movement, since the beginning, kept a close contact to the comics, which appear in different ways in their poems and books. The idea was to use mass culture images as a way to produce content that could be easier to circulate, even among people with a lower formal education. In their 1967 manifesto, poets claim the Poema/Processo as “a poem to be seen and without words”. In an interview with João Felício dos Santos, the poet Wlademir Dias-Pino states: “the true role of the poet is to transform the poem into mass culture. This is the actual enrichment of people’s media”. |
| Subject: | Histórias em quadrinhos Poesia visual Livros de artistas |
| language: | eng |
| metadata.dc.publisher.country: | Brasil |
| Publisher: | Universidade Federal de Minas Gerais |
| Publisher Initials: | UFMG |
| metadata.dc.publisher.department: | EBA - DEPARTAMENTO DE DESENHO |
| Rights: | Acesso Restrito |
| URI: | http://hdl.handle.net/1843/57520 |
| Issue Date: | 2020 |
| metadata.dc.url.externa: | https://oei.nu/w/3.html |
| metadata.dc.relation.ispartof: | OEI |
| Appears in Collections: | Artigo de Periódico |
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