Please use this identifier to cite or link to this item: http://hdl.handle.net/1843/61613
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dc.creatorCamila Augusta Pires de Figueiredopt_BR
dc.date.accessioned2023-11-30T20:46:33Z-
dc.date.available2023-11-30T20:46:33Z-
dc.date.issued2022-
dc.citation.volume47pt_BR
dc.citation.issue1pt_BR
dc.citation.spage1pt_BR
dc.citation.epage15pt_BR
dc.identifier.doihttps://doi.org/10.4000/interfaces.5199pt_BR
dc.identifier.issn2647-6754pt_BR
dc.identifier.urihttp://hdl.handle.net/1843/61613-
dc.description.abstractBien qu’il s’agisse de deux des phénomènes médiatiques les plus populaires dans la culture contemporaine, peu d’études ont tenté de comprendre ce qui se passe lorsque des adaptations rencontrent des franchises transmédiales. Dans cet article, je propose deux études de cas dans lesquelles un ou plusieurs textes originaux ont été adaptés sous la forme d’une franchise transmédiale, résultant en une adaptation transmédiale. L’objectif est de comprendre comment les adaptations transmédiales transcendent les modèles binaires traditionnels des adaptations, avec un texte ou plusieurs textes adaptés en un projet convergent composé de plusieurs médias. À l’aide des exemples fournis, je cherche également à examiner comment ce phénomène plurimédia fait fonctionner différentes dynamiques de production et de consommation de produits culturels. Pour ce faire, une approche qui considère à la fois les aspects intermédiatiques et transmédiatiques du phénomène sera utilisée.pt_BR
dc.description.resumoDespite being two of the most popular medial phenomena in contemporary culture, few studies have been devoted to understanding what happens when adaptations meet transmedial franchises. In this study, I propose an examination of two cases in which one or more original texts have been adapted into the form of a transmedial franchise, resulting in a transmedial adaptation. The aim is to understand how transmedial adaptations transcend traditional binary models of adaptation, with one or several texts being adapted into a convergent project composed of several media. Using the examples provided, I also seek to examine how this multi-media phenomenon activates different textual and medial dynamics. In order to do so, I will use an approach that considers both intermedial and transmedial aspects of the phenomenon.pt_BR
dc.format.mimetypepdfpt_BR
dc.languageengpt_BR
dc.publisherUniversidade Federal de Minas Geraispt_BR
dc.publisher.countryBrasilpt_BR
dc.publisher.departmentEDITORA - EDITORA UNIVERSITARIApt_BR
dc.publisher.initialsUFMGpt_BR
dc.relation.ispartofInterfacespt_BR
dc.rightsAcesso Abertopt_BR
dc.subjectTransmediapt_BR
dc.subjectAdaptationpt_BR
dc.subjectFranchisept_BR
dc.subjecttransmedialitypt_BR
dc.subjecttransmedial adaptationpt_BR
dc.subject.otherComunicação e culturapt_BR
dc.subject.otherAdaptaçãopt_BR
dc.subject.otherComunicações multimídiapt_BR
dc.titleAdapted into multiple media: what happens when adaptations meet transmedial franchisespt_BR
dc.typeArtigo de Periódicopt_BR
dc.url.externahttps://journals.openedition.org/interfaces/5199pt_BR
dc.identifier.orcidhttps://orcid.org/0000-0002-0522-8114pt_BR
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