Da rua ao palco: a (in) visibilidade da população em situação de vida nas ruas

Abstract

The population in situation of life in the streets is a public who awakes interest for diverse quarrels due its complexity. One of the problems central offices that emerge in this scene is certainly the question of the work. We search, in the present study, to reflect on the relation that the population in street situation establishes with the world of the work, from a study of specific case. We understand that the transformations in the world of the work have left intense marks in the society, over all in function of the globalization that if it still unfolds in the flexible and, for reply the precarious of the work. For understanding of this picture, we break of the conception of the domination of the work in the social interactive of the individuals, supported mainly in the conception George Lukács where he developed with much precision that the work presents a ontológico character in the social sphere. From this conception, this work has as objective to understand the relation of the theater work in the life of the former-inhabitant of street of the city of Belo Horizonte, while social integration and development of autonomy. A case study was become fullfilled, using the interview in depth, of an user of the Social Assistance of Belo Horizonte, inserted in the service of sociofamiliar accompaniment. When collating the theories used with the collected data, were possible to observe that the work presents central axle in the experience of Mr. Carlos as well as the theater work emerges as catalytic form in the change process, mainly its social integration. This work presents sensible for Mr. Carlos a time that the awaken theater pleasant feelings, that it intensifies in (reverse speed) the construction of the citizenship.