Um possível lugar da obra de arte: reflexões a partir de um exercício empírico

Abstract

Given the definition of "place of work of art" determined by a setting that involves space, artwork and man, this work investigates the relationships generated out of the gathering of these components. The object of study were the practices linked to the universe of art, which so powerfully invest in critical works that lead relational connections on multiple levels. intending to outline a focus, The Galeria Boliche (The Bowling Galery) the artistic project of this author was taken as the key element of the research, for its essence surpasses the notion of case study and stands evenly to an energy-generating of reflective exercises that merge from practice. The Galeria Boliche (The Bowling Galery), while "possible place of work of art," presents in each stage of its development the emergence of issues that promote discussions concerning the subject, the space and the artwork, debates that were structured separately, but that often touch the others. When talking about places, both the humanization strategies in the city and the actions performed in the physical and conceptual interior of the modern exhibition space were assessed. The set pointed to the need of making them more humanly accessible and also to the desire of crossing limiting borders, the latter being the opening to engage the ins and outs involving the production of the places of work of art in the past, present and a brief prospective overview. When dealing with the universe of the subject, anthropology issues emerged, which allowed to realize the interdisciplinary between fields of knowledge. In seeking to consolidate a thought on the other", it was traced a succession of matters that starts in the paradigm of the artist as ethnographer, through pseudo-ethnography, both released by Hal Foster, and getting to the post-ethnography and what this achievement brings. When considering the work, the ways of doing were highlighted, which cover a critical spatial approach in the city texture and (re)establish special values of certain locations. By establishing strong interactions, these works were arranged as interface elements, mediating the subject, the place and they themselves, allowing the extraction of relevant meanings to the discourse on the place of work of art. The whole scale of this argumentative work can focus on the convergence between art and architecture. Dealing with "place", whether its from the work of art or not, implies, a priori, an approach to spatial issues of the or relevant to architectural discourse. The art allowed opening gaps to infiltrate into thoughts about architecture and its consolidated value or its congenital future.