Performances do corpo: o corpo poético no espaço (auto) biográfico

Abstract

The use of autobiographical elements in performative theatrical creations has been recurrent in today's artistic productions. The body as an instance that performs affections and memories permeates the discussions that are present in the autobiographical subject. It was sought to reflect, from the performative theatrical event of Domingo, interviews with the actress Cida Falabella and bibliographical revision, how the poetic-body performs such elements in the creative process of the actor. The autobiography comprises notions about self, memory, emotions and feelings from propellers such as self-objectivization and its insertion in (auto) biographical space. The transit between the self-to-me and the self-other, mediated by the poetic state and the affected body, constitutes the body performance on Domingo by Cida Falabella. In the (auto) biographical space, the creation of poetic bodies provides the invention of dissident images of those experienced by the spectacular society, besides to providing new micropolitical analyzes of the subject bodies and their respective actions.