A reconfiguração sistêmica como elemento estético na arte digital computacional

Abstract

n Interactive Computer System can change its behavior and reconfigurate itself in relation to which distinct user to increase even more interest from us about its performance. More and more computer agents are appearing, which act silently and hidden and perceive us by the perspective of a machine. When computer interactive art allows us to have new experiences with them we can interact with new perception layers of the reality, also resignifying our own natural perceptions. Intelligent agents are able to adapt to changes in the environment, growing its autonomy. Its environment and other agents inputs are transmitted to a range of other algorithms wich manipulate and reinterpretate data in new models, building a data processing network. This dissertation investigates agency occurrences (DELEUZE e GUATTARI, 2000) between artistic computer systems and humans and the system reconfiguration as an organizer element of the aesthetic experience in contemporary digital art. Based on artistic works studies wich have interactive computer artistic systems, found in biennals and brazillian and intenational fairs (FILE, Ars Eletronica and Emoção Art.ficial), we will discuss about: the influence of algorithms and computer code in agency formation; systemic procedures of interaction, highlighting the use of artificial intelligence (RUSSEL e NORVIG, 2013) in relation to definition and implementation of intelligent agents; complex system behavior and its organized and unpredictable condition. Intelligent agents build new stimulus from its own experience history. Therefore, at every moment we take an action in an agent network we are affecting our condition in future situations. Unlike works that maintain always the same behavior, leading to boredom because of its few variations and novelty, works that reinvent theirselves are open to new possibilities and highlight our participant condition in network processes in a way more perceptive