Ipseidade e dramaturgia brasileira contemporânea: o si e o outro em Nós, do Grupo Galpão, e Mata teu pai, de Grace Passô

Abstract

Based on the analysis of the plays “Nós” – by Marcio Abreu and Eduardo Moreira, made for the staging of Grupo Galpão – and “Mata seu pai”, by Grace Passô, this article reflects on ipseity, according to the hermeneutic thinking of Paul Ricoeur (2004), with the propositions about modern and contemporary drama, according to Jean-Pierre Sarrazac (2002; 2017). In this sense, the dialectical understanding between form and content is focused in the two pieces and it aims to recognize how they bring with them a debate about contemporary insurgencies, especially in the relationship between the presentation of the self on the scene in the clash and the constitution with the other.