Neither a hoax nor art: politics

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dc.creatorFernanda Regaldo
dc.creatorRenata Moreira Marquez
dc.creatorRoberto Andrés
dc.creatorWellington Cançado
dc.date.accessioned2022-12-13T21:59:05Z
dc.date.accessioned2025-09-09T00:59:09Z
dc.date.available2022-12-13T21:59:05Z
dc.date.issued2019
dc.identifier.doi0.32891/jps.v4i3.1217
dc.identifier.issn22069658
dc.identifier.urihttps://hdl.handle.net/1843/47934
dc.languagepor
dc.publisherUniversidade Federal de Minas Gerais
dc.relation.ispartofThe journal of public space
dc.rightsAcesso Aberto
dc.subjectEspaço urbano
dc.subjectRenovação urbana
dc.subjectPlanejamento urbano
dc.subject.otherEspaço urbano
dc.subject.otherEspaço público
dc.titleNeither a hoax nor art: politics
dc.typeArtigo de periódico
local.citation.epage191
local.citation.issue3
local.citation.spage185
local.citation.volume4
local.description.resumoOn a Saturday morning in May 2013, a sign indicating a public work was installed on Padre Belchior Street, in central Belo Horizonte. According to the sign, in just a couple of days the busy street would become a construction site in which the main goal would be to undo four asphalted lanes and bring back instead the late Leitão stream – an urban stream which four decades ago was channelled and covered with concrete, giving place to a roadway. Three days later, the sign was no longer in place and the Federal Police had begun to investigate the authors of the “fictitious project” for improper use of government logos. This article recovers this story in order to discuss the relationship between the processes that mark how cities are constructed, public participation and urban interventions.
local.publisher.countryBrasil
local.publisher.departmentARQ - DEPARTAMENTO DE ANÁLISE CRÍTICA E HISTÓRICA DA ARQUITETURA E DO URBANISMO
local.publisher.initialsUFMG
local.url.externahttps://www.journalpublicspace.org/index.php/jps/article/view/1217/743

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