Um estudo do ritmo da ação e da não verbalidade em Primal, de Genndy Tartakovsky

Abstract

This article aims to study the rhythm of action and the non-verbality present on Genddy Tartakovsky’s style of narrative construction and, in particular, in his work Primal (2019-2022). A brief historical panorama of animated cinema was thus developed, focusing on the transition from film production to the television medium and highlighting the director’s individualities that make him stand out in the televised animation industry. Through an analysis of a sample of scenes from the Primal series, the effects of timing and the absence of speech on the quality of the narrative and the viewer’s immersion potential were emphasized.