A poética da inconformidade e o desencantamento do mundo: política e estética em Pier Paolo Pasolini e Roberto Piva

Abstract

This thesis intends to discuss the aesthetic and political conceptions of Pier Paolo Pasolini (1922-1975) and Roberto Piva (1937-2010), starting from the process of disenchantment in the world towards the rejection of bourgeois ideologies in contemporary times. Thus, we start from the following question: to what extent or in what way did the disenchanted world — fostered by the Enlightenment reason that gradually produced an integrated science that was highly dependent on instances of power, especially economic power — cross poetic, cinematographic, and critical works? of our two poets? Our work aims, firstly, to demonstrate the similarity of the criticisms of contemporaneity made by the two. In this way, we intend to emphasize considerable proximity between the critical social thought of the Italian poet and the Brazilian poet, although it is also possible to point out relevant aesthetic and political differences between the two. In a second moment, we seek to point out the ways and forms used by both to move in the quicksand of the disenchanted contemporary.