Entre modulações musicais e literárias: O inverno e depois, de Luiz Antonio de Assis Brasil

Abstract

O inverno e depois, a novel written by Luiz Antonio de Assis Brasil, exposes an articulated reflection on classical music and the artist’s life, as well as the challenges of the musicians to translate, through their art, the feelings that words do not express itself. In this way, we intend to make a reading of the novel from the theoretical aspects of word and music studies, revealing the influences of the Concerto for violoncello and Orchestra, by Antonín Dvořák – key factor for the novel –, in the Assis Brasil’s narrative, both in the structural plane and in the plane of its content.