Reversões: processo criativo de um dramaturgo em formação

Abstract

This masters dissertation presents my creation process towards a dramaturgic and authorial poetics. The study reveals the writing process of three monologues on the aesthetics of the dramatic theatre as understood by Pavis in his Dictionary of the Theatre (2017) and points to the construction of the scenic reality as mimesis of the real, intending to be a perfect copy of it and following the traditional scope of the dramatic curve: presentation of the characters and the conflict, climax and resolution of the presented conflict. As the process is revealed, the dissertation shows the methodology that starts from the careful observation of shared reality and the theoretical and dramatic readings for the construction of a dramaturgic horizon that was intended to be artistic, poetic and political. The three monologues created present three versions of the same scenic reality, where the characters experience situations of oppression, sexuality, religiosity and the abusive use of alcohol. With this scenic elaboration, it was intended to discuss on these daily situations experienced in the countryside of Minas Gerais, drawing attention to these problem-questions.