Após o fim da arte europeia: uma análise decolonial do pensamento sobre a produção artística

Abstract

The present text comes from an analogy with Arthur Danto’s work “After the End of Art: Contemporary Art and the Pale of History” to think out perspectives of artistic production after its end, that is after the moment when the traditional models of thinking and making art did not fit the works of art themselves. The perspective presented brings to light the contexts of visibility and participation in the art world, which follow a simultaneous movement of globalization and regionalization. For this, the present article will make a decolonial analysis of Arthur Danto’s thesis to explain in what way it is not enough. Finally, it will bring to the discussion the concept of perspectivism and multinaturalism built by Eduardo Viveiros de Castro to point out ways that allow to think about art beyond the limits of European art.