O grupo cultural Yuyachkani e as múltiplas tessituras do discurso cênico: a teatralidade, a performatividade e a desmontagem

Abstract

The research developed for the elaboration of the present thesis aimed to approach the notions of theatricality, performativity and Scenic Disassembly, as well as its possible reverberations on the scene of the peruvian group Yuyachkani. Due to the significant transformations that impacted the creation and the theatrical thoughts since the 20 century, discussions about these notions have shown themselves as essential, particularty in what concerns the poetic of the scenic disassembly, still underexplored academically and of which the Yuyachkani is a important reference. Therefore, as methodological procedures, a literature review was carried out on the concepts in question and on the Peruvian group, as well as a field interview with its director Miguel Rubio Zapata.