Poemics: poems and comics
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Universidade Federal de Minas Gerais
Descrição
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Artigo de periódico
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Membros da banca
Resumo
In the mid-1960s, comic art went through a reassessment and had a scrupulous semiotic investigation, getting attention from theorists such as Umberto Eco and others. Brazilian Poema/Processo movement, since the beginning, kept a close contact to the comics, which appear in different ways in their poems and books. The idea was to use mass culture images as a way to produce content that
could be easier to circulate, even among people with a lower formal education. In their 1967 manifesto, poets claim the Poema/Processo as “a poem to be seen and without words”. In an interview with João Felício dos Santos, the poet Wlademir Dias-Pino states: “the true role of the poet is to transform the poem into mass culture. This is the actual enrichment of people’s media”.
Abstract
Assunto
Histórias em quadrinhos, Poesia visual, Livros de artistas
Palavras-chave
Poema-processo, Poesia visual, História em quadrinhos
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Curso
Endereço externo
https://oei.nu/w/3.html