Intonation in the performance of the double bass: the role of vision and tact in undershoot and overshoot patterns

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dc.creatorFausto Borém
dc.creatorGuilherme Menezes Lage
dc.date.accessioned2022-08-09T16:31:53Z
dc.date.accessioned2025-09-09T01:05:00Z
dc.date.available2022-08-09T16:31:53Z
dc.date.issued2019-05
dc.identifier.issn1552-9657
dc.identifier.urihttps://hdl.handle.net/1843/44092
dc.languageeng
dc.publisherUniversidade Federal de Minas Gerais
dc.relation.ispartofOnline Journal of Bass Research
dc.rightsAcesso Restrito
dc.subjectContrabaixo - Performances
dc.subjectContrabaixo - Estudos e exercícios
dc.subjectTonalidade (Música)
dc.subjectMãos
dc.subjectVisão
dc.subjectTato
dc.subject.otherAccuracy in double bass performance
dc.subject.otherUndershoot and overshoot double bass patterns
dc.subject.otherControl of non-tempered intonation
dc.subject.otherLeft hand movements in music performance
dc.titleIntonation in the performance of the double bass: the role of vision and tact in undershoot and overshoot patterns
dc.typeArtigo de periódico
local.citation.volume10
local.description.resumoThe research question of this paper was partially motivated by the need for better control of the double bass performance and partly motivated by the friction of opinions in the international double bass community about using or not using marks on the double bass fingerboard. Obtaining an accurate intonation is a universal problem in the performance of non-tempered stringed instruments (with no frets) such as the members of the violin family. Musicians commonly land their fingers too short (undershoot) or too long (overshoot) for aimed locations (target notes), resulting in poor intonation. This study aims at understanding how the sensorial guidance of vision and tact could interfere in the erroneous movement patterns of undershoot and overshoot. As an interdisciplinary study (music performance and motor behavior), it analyzed the performance of professional musicians in two movement conditions: with and without sensorial guidance. The results showed that sensorial cues conditions compared against no-guidance conditions create: (1) an overshoot pattern instead of an undershoot pattern and (2) a more accurate intonation on the double bass, which were discussed based on the role of visual and tactile information on motor control of the left limb. Summarizing this research, the results show that visual and tactile strategies can improve the performance of double bassists.
local.identifier.orcidhttps://orcid.org/0000-0002-4769-106X
local.identifier.orcidhttps://orcid.org/0000-0001-8296-3676
local.publisher.countryBrasil
local.publisher.departmentEEF - DEPARTAMENTO DE EDUCAÇÃO FÍSICA
local.publisher.departmentMUS - DEPARTAMENTO DE INSTRUMENTO E CANTO
local.publisher.initialsUFMG
local.url.externahttps://www.ojbr.com/volume-10-number-1.asp

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