A fotografia como expressão: possibilidades para a construção do olhar

Abstract

This work approaches photography as an expression in order to discover the possibilities that a photographic image provides for the construction of the gaze. It shows the photograph as an important and significant object of study and possible developments within the classroom. The photographic series Dandara, exhibited by the artist Cyro Almeida in 2014, at the Palácio das Artes, in Belo Horizonte (Minas Gerais), is approached as a poetic and questioning source and, such as other works cited throughout this study, was chosen because it stimulates the aesthetic and critical-reflective thinking, contributing to teaching-learning between teacher and student.