The use of industrial paint on wood by Lygia Clark

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dc.creatorGiulia Villela Giovani
dc.creatorLuiz Antônio Cruz Souza
dc.creatorYacy-Ara Froner Gonçalves
dc.creatorAlessandra Rosado
dc.date.accessioned2023-08-09T12:07:05Z
dc.date.accessioned2025-09-08T22:53:29Z
dc.date.available2023-08-09T12:07:05Z
dc.date.issued2016-09
dc.format.mimetypepdf
dc.identifier.doihttps://doi.org/10.1080/00393630.2016.1184054
dc.identifier.issn2047-0584
dc.identifier.urihttps://hdl.handle.net/1843/57642
dc.languageeng
dc.publisherUniversidade Federal de Minas Gerais
dc.relation.ispartofStudies in Conservation
dc.rightsAcesso Aberto
dc.subjectClark, Lygia, 1920-1988
dc.subjectPintura - Conservação e restauração
dc.subjectArte - Conservação e restauração
dc.subjectArtistas brasileiras - Séc. XX
dc.subject.otherClark, Lygia
dc.titleThe use of industrial paint on wood by Lygia Clark
dc.typeArtigo de periódico
local.citation.epage293
local.citation.issue2 supl
local.citation.spage291
local.citation.volume61
local.description.resumoContemporary art presents various challenges and questions for those responsible for its preservation. Faced with new variables including but not limited to the use of modern and diverse materials, complexity of construction, in addition to conceptual and intangible questions, the profession needs to re-examine conservation and restoration theories developed thus far. This communication presents an investigation (Giovani et al., 2015) into the paintings of the Brazilian artist Lygia Clark (born Belo Horizonte 1920, died Rio de Janeiro 1988) during the 1950s, with a focus on four works made from industrial paint on wood. They are: Superfície Modulada N° 12 (1956), Planos em Superfície Modulada N° 3 (1957), Espaço Modulado N° 4 (1958), and Ovo – Contra Relevo (1959). The paintings belong to the Sattamini collection,1 and are on loan to the Museum of Contemporary Art of Niterói, Rio de Janeiro, Brazil. These particular paintings gave the opportunity to carry out research into some highly significant works which also provide a snapshot of Clark’s career over a short period.
local.identifier.orcidhttp://orcid.org/0000-0002-3631-3776
local.identifier.orcidhttps://orcid.org/0000-0002-3241-211X
local.identifier.orcidhttps://orcid.org/0000-0002-5675-6945
local.identifier.orcidhttps://orcid.org/0000-0002-6968-8283
local.publisher.countryBrasil
local.publisher.departmentEBA - DEPARTAMENTO DE ARTES PLÁSTICAS
local.publisher.initialsUFMG

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