Peça-conversa: convívio e cocriação entre atores e espectadores

Abstract

This study, organized in six movements, proposes analysis and investigation of coparticipatory relationships between actors and spectators, at the moment of the theatrical event, through performative and dramaturgical articulations that invites the spectator to experience the co-creation. I observe as a central phenomenon the play Fauna (2016), created by Quatroloscinco – Teatro do Comum, whose dramaturgy and performance I signed in partnership with Assis Benevenuto, directed by Ítalo Laureano and Rejane Faria. To explore and deepen the notion of play-conversation, I carry out a descriptive disassembly Fauna from the creation process to the interaction with the audience during its resentations between 2016 and 2023. The thesis also relates the brazilian plays Hysteria (2001), by Grupo XIX de Teatro, Ele precisa começar (2007), by Foguetes Maravilha, and Aquilo que meu olhar guardou para você (2011), by Magiluth, understood as convivial scenic experiments and taken as reference during the creative process of Fauna. The analysis of dramaturgical, scenic and performative characteristics based on the description of Fauna's creation and situations in which the spectator transformed the play, interwoven by dialogues with the bibliography studied, reveal the methodological path that seeks to construct the notion of playconversation. I also propose an ongoing dramaturgical experiment, entitled Flora, which unfolds the thesis discussions and moves towards the continuation of this research.