Ugly and Interested Art. Modernity, Freedom and democratization of taste in F. Schlegel

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dc.creatorGiorgia Cecchinato
dc.date.accessioned2022-07-01T22:14:41Z
dc.date.accessioned2025-09-09T00:23:36Z
dc.date.available2022-07-01T22:14:41Z
dc.date.issued2017
dc.format.mimetypepdf
dc.identifier.doihttps://doi.org/10.4000/ref.756
dc.identifier.issn2258-014X
dc.identifier.urihttps://hdl.handle.net/1843/42865
dc.languageeng
dc.publisherUniversidade Federal de Minas Gerais
dc.relation.ispartofRevista de Estud(i)os sobre Fichte
dc.rightsAcesso Aberto
dc.subjectArte moderna
dc.subjectSchlegel, Friedrich von, 1772-1829
dc.subjectArte - Filosofia
dc.subjectPoesia
dc.titleUgly and Interested Art. Modernity, Freedom and democratization of taste in F. Schlegel
dc.typeArtigo de periódico
local.citation.issue2017
local.citation.volume15
local.description.resumoThe aim of this paper is to describe how F. Schlegel develops F. Schiller’s conception of the modern art and to show how he, by reflecting on modernity, leaves out the ideal of beauty from aesthetics and develops a wider range of possibilities for what could be recognized as a work of art. Schlegel goes beyond Schiller’s project of an aesthetic education, because his way of thinking about art opens more possibility for dialogue and inclusion than Schiller’s model based on beauty. This will allow us to see that Schlegel’s romanticism as an aesthetic theory can be very useful and fruitful to us in contemporary era.
local.publisher.countryBrasil
local.publisher.departmentFAF - DEPARTAMENTO DE FILOSOFIA
local.publisher.initialsUFMG
local.url.externahttps://journals.openedition.org/ref/756

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