Os artistas lombardos : dinâmicas colaborativas em Milão no século XV-XVI na Corte Sforzesca

Abstract

The following research aims to elucidate the imagery contribution of Lombard Renaissance art in the Sforzesco period beyond the historical figure of Leonardo da Vinci. As well as problematizing a historiographical narrative that privileges certain historical agents to the detriment of others. Without taking into account the cultural singularities present in the Lombardy region, especially in the city of Milan in the late 15th and early 16th centuries. This work also aims to understand the particularities present in the work of each artist entitled “Leonardesque”, in order to understand Lombard painting outside the Vincentian perspective, which for centuries stigmatized and labeled these artists and their productions as less relevant. Therefore, it is hoped that with this research, a new look will be placed on these Lombard artists, taking into account their historical-cultural context, so that we can understand a little more about: Marco d'Oggiono; Giovanni Antonio Boltraffio; Gian Giacomo Caproti; Ambrogio de Predis; Andrea Solario; Bernard Zenale; Cesare da Sesto; Bernardino Luini; Giampietrino; Francesco Melzi; Cesare Magni.