Pintura e fotografia: a imagem entremeios

Abstract

This research investigates the visual and critical potentialitie that emerge from the intersection between painting and photography, exploring how images can produce meanings that escape traditional classifications of technique and category. Based on the assumption that the image operates as a force capable of mobilizing and engaging the gaze, the study proposes to understand it as a field in which the possibilities of the media and sensory experience take center stage. By examining the relationships between these two fields, it seeks to understand how their convergences and tensions can destabilize fixed notions of representation, opening space for new interpretations and ways of seeing.