Corpos-cenário: minerando a ancestralidade e a re-existência negra a partir do Lugar.

Abstract

The objective of this work was to emerge the Place, from the black ancestral ritualistic recurrence of Congado and the Samba School Parade, as a black ancestral singularity in the municipality of Alvinópolis. In addition to partially describing the strategies for the reexistence of these people in Brazilian lands. In this sense, the contextualization of the problematization and justification of the proposed research first took place, with the specific objectives of analyzing cuisine and the emotional relationships established between the people present in the Place within this ancestry. The path followed by methodological procedures included interviews carried out and consultations with primary and official documents. Also noteworthy was the creation of Maps of Emotions (Mental), that is, internal maps that we carry throughout our lives, where we verified the elements of our Africanities present in the context of people's experiences. We brought the theoretical framework of Cultural and Humanist Geography, with Place as a conceptual reference, as well as phenomenology based on the experience lived by black people in their multiple diasporas. Subsequently, it explained a brief history of the trajectory and new configurations of the quilombo in African and Brazilian territory and its experience overseas, which resulted in understanding other configurations of this territorial organization, especially in networks of cooperation and affection, which revealed to us the opportunity to describe other possibilities of Alvinopolense History, “unearthing” other events and subjects, which until then had been neglected on purpose, or not, from the official presentation of the municipality. In this sense, the strategies of re-existence and ancestral manifestations present in the country and in the municipality studied, were configured as a body-scenario, as it is a stained glass window of the cultural framework, of faith and art inserted in the Place, transforming the existing landscape from of their performance experiences.