Francisco Mignone, o intérprete: estudo de aspectos do seu estilo interpretativo por meio da análise de gravações

Abstract

This paper aims at gathering subsidies for the interpretation of nationalist works of Francisco Mignone through the analysis of recordings by the composer himself. Based on studies by Robert Philip and Dorottya Fabian on the changes of interpretative styles that took place during the twentieth century, I classify Mignone as a representative of the style that was predominant in the first decades of the century. With the help of the software Sonic Visualiser, I then proceed to analyze aspects of the composer's performance in comparison to more recent recordings.