Som e movimento em fluxo

Abstract

This article presents an ongoing investigation, developed by the Voice and Movement Nucleus of the Laboratory of Experimentation and Creation in Performing Arts - LECA - which is based on the interaction between the principles of the pedagogies of Dance, Music and Theater, focused on the creative process of scenes. This research aims to elaborate training and composition procedures in scenic processes that perform the interaction between music, movement and performance. It presents the idea that expressive potentiation is built in training and operates in artistic manifestation, by the intertwining of spatial, temporal and effort flows. The research principles of Rudolf Laban (1978), the notion of flow of Mihaly Csikszentmihalyi (2008) and the iteration of Jacques Derrida (1986) are based on the research. To date, the research has shown that the practices experienced have been coherent and consistently result in the elaboration of scenes, in which the participants perceive themselves able to elaborate and maintain coordinated actions either with other participants, with objects and with space.