Três choros para flauta de Belini Andrade: Morena Marta, Estrambótico e Uma Flauta Doce

Abstract

This study aims to understand the language of Choro present in the work of the composer Belini Andrade. To achieve that, analyses were made on the pieces Morena Marta, Estrambótico and Uma Flauta Doce, identifying the formal organization of the parts and phrasing as well as the interpretative elements used in the scores. For a deeper approach with the composer and his work, interviews were made with Belini himself and other musicians associated with him. A research was developed on Belini Andrade's life in order to better understand his trajectory and musical influences, besides his activities as composer, player and band conductor. The text also includes a catalog of thecomposer's work for recorder and transversal flute, organized by date, tonality, style, album and incipit.