E nessa cena a vovó da Pabllo já era transgressora: performances queer na música pop brasileira

Abstract

From the notion of musical scene, we propose - in this article - to approach some performances performed from the 1970s by artists of theater and music and certain performances queer of the Brazilian contemporary pop music scene. We observe these performances in productions that have been dedicated and dedicated to question the limits imposed by the social roles of gender; who denounce heteronormative patrolling over bodies; and that invests in the visibility of fluid and diverse identities. We are interested in this approach to perceive a common that has been supported in other ethics, arising from new aesthetic circulations; how the performance of those bodies contained and contains a transforming power of consciousness; how pop becomes a politician.