Por uma poética do eco em Marília Garcia

Abstract

The purpose of this thesis is to investigate how the echo appears in Marília Garcia’s poetics. After analysing the types of quotations used by the poet, I delve deeper into the method of self- citation, thus relating it to repetition and its effects (such as performance and simultaneity) on the author's poems. Then, I observe the rhythm in Garcia's poetic compositions. Taking the essay form as the guide of this investigation, I rely on Octavio Paz’s thinking and, especially, on the concept of ritornello, created by Gilles Deleuze and Félix Guattari. In the third chapter, I verify how Garcia investigates emotions and feelings through the idea of echo. Finally, I associate echo, performativity, images and maps based on my readings of authors such as Hans Gumbrecht and Walter Benjamin.