Sorrindo vida sem rumo: Relacionamentos amorosos e risco social sob a ótica do cinema de Woody Allen no filme Noivo Neurótico, Noiva Nervosa

Abstract

The objective of the present dissertation consists on comprehending how the loving relationships receive materiality narrative within Noivo Neurótico, Noiva Nervosa (Annie Hall, 1977), written and directed by American filmmaker Woody Allen. This investigation is anchored on the assumption that the film production is, first of all, a cultural expression, by taking as culture a heterogeneous system of shared meanings that organize the relations taken in the social field by providing support points so that individuals can give meaning to their life trajectories. Thus, the undertaken analysis, in which the methodological inspiration lies in the ricoeurian notion of the triple mimesis, is worried about problematizing the worldview communicated by Allens work concerning the values and practices that refers to the affective experience in the contemporaneity, in a circumstance marked by the notion of social risk. Thereby, to provide critical substrate to the discussion held, preliminarily some considerations are going to be made about the specificity of Allens filmmaking, as well as the characterization of the concept of social risk and the significance of the process of individualization, apart from performing a brief balance on the issues that cross and form the love experience in contemporary society