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http://hdl.handle.net/1843/AAGS-B7MM7F
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DC Field | Value | Language |
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dc.contributor.advisor1 | Edite Maria Oliveira da Rocha | pt_BR |
dc.contributor.referee1 | Daniela Alexandra Fugellie Videla | pt_BR |
dc.contributor.referee2 | Loque Arcanjo Júnior | pt_BR |
dc.creator | Boris Tejeda Suñol | pt_BR |
dc.date.accessioned | 2019-08-10T18:48:51Z | - |
dc.date.available | 2019-08-10T18:48:51Z | - |
dc.date.issued | 2018-08-31 | pt_BR |
dc.identifier.uri | http://hdl.handle.net/1843/AAGS-B7MM7F | - |
dc.description.abstract | This dissertation thesis analyzes the epistolary interactions between Francisco Curt Lange, a German musicologist who became Uruguayan citizen via naturalization, and some of the most distinguished representatives from the Cuban cultural, musicological, compositional and intellectual environment among 1935 to 1975. The strong intellectual network established by the researcher with his Antillean colleagues allows us to make a journey through some of the cardinal moments of the cultural and musical Cuban history. The several speeches and subjectivities that emerge from this epistolary dialogue let us to explore from new perspectives some of the ideoesthetic counterpoints from Cuban musical, political and cultural praxis during six decades. Likewise, in the correspondence interchange the transition between the republican contexts to the arrival of a transforming revolutionary process is clearly delineated. Curt Lange stands such as a lucid cultural intermediary between Cuba and the American geopolitical and cultural environment. | pt_BR |
dc.description.resumo | Este trabajo tiene como objetivo explorar y analizar las relaciones epistolares del musicólogo alemán nacionalizado uruguayo Francisco Curt Lange con algunos de los más eximios representantes del entorno cultural, musicológico, composicional e intelectual cubano entre 1935-1975. La construcción de un conjunto de redes intelectuales, establecidas por el investigador con sus pares antillanos, nos ha permitido conformar un recorrido por algunos de los momentos cardinales de la historia cultural y musical académica de la nación caribeña. Las diversas voces y subjetividades que emergen de este diálogo epistolar entre Curt Lange y la intelectualidad insular, nos permiten analizar desde nuevos prismas algunos de los contrapuntos ideoestéticos de la praxis musical, política y cultural cubana durante seis décadas; su tránsito entre el contexto republicano y la llegada de un transformador proceso revolucionario aparecen nítidamente delineadas a través de estas misivas, donde Curt Lange se erige como lúcido mediador cultural entre Cuba y el entorno geopolítico y cultural americano. | pt_BR |
dc.language | Português | pt_BR |
dc.publisher | Universidade Federal de Minas Gerais | pt_BR |
dc.publisher.initials | UFMG | pt_BR |
dc.rights | Acesso Aberto | pt_BR |
dc.subject | Cuba | pt_BR |
dc.subject | relación epistolar | pt_BR |
dc.subject | redes intelectuales | pt_BR |
dc.subject | mediación cultural | pt_BR |
dc.subject | Francisco Curt Lange | pt_BR |
dc.subject.other | Musica Cuba Historia e critica | pt_BR |
dc.subject.other | Lange, Francisco Curt, 1903-1997 | pt_BR |
dc.subject.other | Musica | pt_BR |
dc.subject.other | Musicologia | pt_BR |
dc.title | Cuba en la órbita de Francisco Curt Lange: un abordaje epistolar (1935-1975) | pt_BR |
dc.type | Dissertação de Mestrado | pt_BR |
Appears in Collections: | Dissertações de Mestrado |
Files in This Item:
File | Description | Size | Format | |
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boris_tejeda_su_ol___disserta__o_ufmg.pdf | 3.38 MB | Adobe PDF | View/Open |
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