Formas imperativas em músicas endereçadas à mulher: uma perspectiva enunciativa

Abstract

In this study, we propose to elucidate the syntax and semantics configuration of the use of the imperative forms in musical excerpts addressed to the woman, on the theoretical perspective of Semantics of Enunciation (GUIMARÃES, 2005) and a syntax enunciative bases (DIAS, 2002), wich, in its turn, is affiliated to these semantics. We seek to understand the syntactic fact at the interface between the material (organic) and the enunciative language dimensions. Thus, we emphasize the use of the pronoun/subject in accordance with the verb in the imperative form in the personality configuration to detect the discursive profile of this woman in three distinct periods; in the 1950 and 1980 decades, and in the years 2000, considering that those syntactic places consist of the reference configuration spaces (DIAS, 2006a), in order to recognize the enunciative specificities in the fenale constitution reference. Precisely, we investigate the semnatic-enunciative traits that we recognize as definers of the constitution of the sentence with which we worked, namely, the enunciation mode, the enunciative scene and the proper configuration of these traits, to outline a profile of the woman in each of the proposed periods, producing the application of a syntax enunciative basis.