The solfège of technical objects: notes on the potential contribution of gilbert simondon to sound studies and arts
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Universidade Federal de Minas Gerais
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Artigo de periódico
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Resumo
The extended meaning of solfège in Pierre Schaeffer’s theoretical and artistic work is briefly introduced. Then, Gilbert Simondon’s philosophical ideas are summarised, and their potential contribution to the field of sound studies is discussed. Simondon’s concepts of ‘individuation’, ‘transduction’, ‘information’, ‘modulation’ and others are presented, as well as his main critical analysis of the hylomorphic perspective. Simondon’s attempt to seek a more congruous and well-balanced coupling between human and technical beings is corroborated, and this corroboration supports the contention that this approach to sonic practices demands a ‘solfège of technical objects’ that may have political and ethical consequences, as well as theoretical and artistic reverberations relative to how we deal with sounds.
Abstract
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Música, Solfejo, Simondon, Gilbert
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Solfège, Technology, Technical object, Individuation, Gilbert Simondon
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http://www.interferencejournal.org/the-solfege-of-technical-objects-notes-on-the-potential-contribution-of-gilbert-simondon-to-sound-studies-and-arts/