The solfège of technical objects: notes on the potential contribution of gilbert simondon to sound studies and arts

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dc.creatorJosé Henrique Padovani Velloso
dc.date.accessioned2021-09-03T17:40:54Z
dc.date.accessioned2025-09-09T00:32:45Z
dc.date.available2021-09-03T17:40:54Z
dc.date.issued2018
dc.format.mimetypepdf
dc.identifier.issn20093578
dc.identifier.urihttps://hdl.handle.net/1843/37902
dc.languageeng
dc.publisherUniversidade Federal de Minas Gerais
dc.relation.ispartofInterference
dc.rightsAcesso Aberto
dc.subjectMúsica
dc.subjectSolfejo
dc.subjectSimondon, Gilbert
dc.subject.otherSolfège
dc.subject.otherTechnology
dc.subject.otherTechnical object
dc.subject.otherIndividuation
dc.subject.otherGilbert Simondon
dc.titleThe solfège of technical objects: notes on the potential contribution of gilbert simondon to sound studies and arts
dc.typeArtigo de periódico
local.citation.epage45
local.citation.issue1
local.citation.spage31
local.citation.volume6
local.description.resumoThe extended meaning of solfège in Pierre Schaeffer’s theoretical and artistic work is briefly introduced. Then, Gilbert Simondon’s philosophical ideas are summarised, and their potential contribution to the field of sound studies is discussed. Simondon’s concepts of ‘individuation’, ‘transduction’, ‘information’, ‘modulation’ and others are presented, as well as his main critical analysis of the hylomorphic perspective. Simondon’s attempt to seek a more congruous and well-balanced coupling between human and technical beings is corroborated, and this corroboration supports the contention that this approach to sonic practices demands a ‘solfège of technical objects’ that may have political and ethical consequences, as well as theoretical and artistic reverberations relative to how we deal with sounds.
local.identifier.orcidhttps://orcid.org/0000-0002-8919-7393
local.publisher.countryBrasil
local.publisher.departmentMUS - DEPARTAMENTO DE TEORIA GERAL DA MÚSICA
local.publisher.initialsUFMG
local.url.externahttp://www.interferencejournal.org/the-solfege-of-technical-objects-notes-on-the-potential-contribution-of-gilbert-simondon-to-sound-studies-and-arts/

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