Plasticenia: a autonomia do fenômeno plástico-cênico

Abstract

This research proposes to investigate the Plasticenia, a language composed of images produced by the Visual Arts and Performing, expressing aesthetic discourse fragments constructed from disparate techniques and different media, sewn by the bias of convergence.It is intended to whether the Plasticenia helps to legitimize the autonomy of the phenomenon that manifests the plasticênico a hybridity between the arts, and which has as its main feature, express simultaneous communication of plastic and scenic thoughts. During the research itwas found that the plastic-scenic binomial has been the subject of numerous studies, as well as the concept of hybridity achieves significant spaces in cultural reflections of contemporary thought. However, scientific studies that investigate the specificities of hybrid images centered on the simultaneity of visual and verbal thoughts, in order to contribute to reflections on the autonomy of a convergence of language, and the phenomenon that manifests are still unimpressive. So be observed, analyzed and described the main features of the elements that structure the compositions of plasticênicas images, the techniques used in plasticenização of creative processes that materialize the coexistence of different artistic media, and the consequences involved in the environment in which they are presented. To illustrate the statement, the methodology chosen was the description and analysis of data collected between 1986 and 1999 have records of workshops of Plasticenia language, documenting manifestations of Plasticênico phenomenon in an attempt to exemplify their existence and justify their relevance in cultural landscape in which it operates.