Please use this identifier to cite or link to this item: http://hdl.handle.net/1843/ECAP-7J6H3T
Type: Dissertação de Mestrado
Title: The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom
Authors: Cibele Braga Silva
First Advisor: Thais Flores Nogueira Diniz
First Referee: Magda Veloso Fernandes de Tolentino
Second Referee: Thomas La Borie Burns
Abstract: xxx
Abstract: 'Bloom', Sean Walsh's filmic adaptation of James Joyce's 'Ulysses', brings to screen Leopold Bloom's, Stephen Dedalus', and Molly Bloom's representation of thought. Relying on Robert Humphrey's theory of stream of consciousness in literature and Haim Callev's theory of stream of consciousness on screen, the present research aims at analyzing the tools used by the filmmaker to make feasible such representations. Moreover, Gérard Gennete's contemporaneous theory of transtextuality is used to identify and bring to light the differences and intersections between the mentioned novel and film
Subject: Tradução intersemiótica
Cinema Filosofia
Tradução fílmica
Joyce, James, 1882-1941 Ulysses Crítica e interpretação
Literatura irlandesa Adaptações para cinema e vídeo
Cinema e literatura
Walsh, Sean Bloom Crítica e interpretação
Representação do pensamento
Callev, Haim
Linguagem cinematográfica
Transtextualidade
Humphrey, Robert
Fluxo de consciência
Literatura
language: Inglês
Publisher: Universidade Federal de Minas Gerais
Publisher Initials: UFMG
Rights: Acesso Aberto
URI: http://hdl.handle.net/1843/ECAP-7J6H3T
Issue Date: 2-Sep-2008
Appears in Collections:Dissertações de Mestrado

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